Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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LIMBOURG brothers
Les trs riches heures du Duc de Berry: Septembre (September) s

ID: 07911

LIMBOURG brothers Les trs riches heures du Duc de Berry: Septembre (September) s
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LIMBOURG brothers Les trs riches heures du Duc de Berry: Septembre (September) s


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LIMBOURG brothers

Flemish painters (b. 1370-80, Nijmegen, d. 1416, Nijmegen). family of Franco-Flemish manuscript illuminators. The Limbourg brothers, Pol, Jan, and Herman, were trained as goldsmiths. They succeeded Jacquemart de Hesdin in 1411 as court painters to Jean, duc de Berry. Their masterpiece is the magnificent book of hours known as the Tr??s Riches Heures (c.1415; Mus??e Cond??, Chantilly). This is filled with exquisite illustrations of the daily life of the aristocracy and peasantry, including a series of calendar illuminations that are considered the finest extant examples of the International Gothic style   Related Paintings of LIMBOURG brothers :. | The medieval Louvre is in the background of the October calendar page (mk05) | Four Figures at Table | The Peasant meal | Les trs riches heures du Duc de Berry: Mai (May) g | Les trs riches heures du Duc de Berry: Fevrier (February), detail g |
Related Artists:
Jakob Kulle
painted Allmogeinterior med kaffedrickande kvinnor in 1876
Andrea Bonaiuti
(c. 1343-1377) Italian painter
Bonnard, Pierre
French, 1867-1947 French painter and printmaker. He studied at the Academie Julian and the École des Beaux-Arts (1888 C 89). In the 1890s he became a leading member of the Nabis group and came under the influence of Art Nouveau and Japanese prints. With his friend Édouard Vuillard, he developed the intimate domestic interior scene, a genre known as Intimism, depicting fashionable Parisian life in the years before World War I. He also produced still lifes, self-portraits, seascapes, and large-scale decorative paintings. In 1910 he discovered the south of France and began a series of luminous landscapes of the Mediterranean region. He was fascinated by perspective, which he employed in paintings such as The Dining Room (1913). From the 1920s he specialized in landscapes, interiors, views of gardens, and bathing nudes. He produced illustrations for the celebrated journal Revue blanche and decorative pages for Paul Verlaine's book of poetry Parallelement (1900).






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